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"I am staying at a shooting-lodge called Coolnagurtheen. Do you know where that is." Mona hesitates, then says, shyly, with downcast eyes,— "The man with the mane? that is Griffith Blount. The most objectionable person any one could meet, but tolerated because his tongue is so awful. Do you know Colonel Graves? No! Well, he has a wife calculated to terrify the bravest man into submission, and last year when he was going abroad Blount met him, and asked him before a roomful 'if he was going for pleasure, or if he was going to take his wife with him.' Neat, wasn't it? But I don't remember hearing that Graves liked it.".
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Conrad
"Is it murder you want to see?" asks she slowly, in a horrified tone. "Go home, Paddy. Go home to your mother." Then, changing her censuring manner to one of entreaty, she says, softly, "Go, because I ask you." What a world is to be opened up to her! How severe the test to which she will be exposed! Does she really think the whole earth is peopled with beings pure and perfect as herself? It is a very curious little room they enter,—yet pretty, withal, and suggestive of care and affection, and certainly not one to be laughed at. Each object that meets the view seems replete with pleasurable memory,—seems part of its gentle mistress. There are two windows, small, and with diamond panes like the parlor, and in the far end is a piano. There are books, and some ornaments, and a huge bowl of sweetly-smelling flowers on the centre-table, and a bracket or two against the walls. Some loose music is lying on a chair. Here and there a pack is discovered, so unexpectedly as to be doubly welcome. And sometimes a friendly native will tell him of some quiet corner where "his honor" will surely find some birds, "an be able in the evenin' to show raison for his blazin'." It is a somewhat wild life, but a pleasant one, and perhaps, on the whole, Mr. Rodney finds Ireland an agreeable take-in, and the inhabitants of it by no means as eccentric or as bloodthirsty as he has been led to believe. He has read innumerable works on the Irish peasantry, calculated to raise laughter in the breasts of those who claim the Emerald Isle as their own,—works written by people who have never seen Ireland, or, having seen it, have thought it a pity to destroy the glamour time has thrown over it, and so reduce it to commonplaceness..
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